Danae Stefanou

Articles:

Voegelin, Salome. 2024. Sonic Epistemologies: Confrontations with the Invisible. Open Philosophy, 7 (1). https://doi.org/10.1515/opphil-2024-0002

Shannon, David Ben, & Truman, Sarah E. 2020. Problematizing Sound Methods Through Music Research-Creation: Oblique Curiosities. International Journal of Qualitative Methods, 19. https://doi.org/10.1177/1609406920903224

Messina, Paola Cossermelli. 2023. Soundwalking on the edges: land, safety, and privilege in São Paulo. In J. Smolicki (Ed.). Soundwalking: Through Time, Space, and Technologies (pp. 134–147). Oxford: Routledge.

See also blog post:

Soundwalking While POC – Sounding Out!

Stefanou, Danae, Evdoxia Ragkou, Anastasia Peki and Georgia Pazarloglou (Critical Music Histories). 2016. Practising Historiography as Noise (within and without the University). In UNICONFLICTS in Spaces of Crisis: Critical Approaches In, Against and Beyond the University, edited by Encounters and Conflicts in the City group.

Books:

Revell, Irene & Sarah Shin, eds. 2024. Bodies of Sound: Becoming a feminist ear. London: Silver Press.

Woodland, Sarah and Wolfgang Vachon, eds. 2022. Sonic Engagement: The ethics and aesthetics of community engaged audio practice. London: Routledge

Farinati, Lucia and Firth, Claudia. 2017. The Force of Listening. Berlin: Errant Bodies Press.

James, Robin. 2019. The Sonic Episteme: Acoustic resonance, neoliberalism, and biopolitics. Durham, NC: Duke University Press.

Stoever, Jennifer Lynne. 2016. The Sonic Color Line: Race and the cultural politics of listening (Vol. 17). New York: NYU Press.

Projects & Multimedia Resources:

Multimodal Community Composition Project Athens (A collaboration from scratch between musicians from the Syrian and Greek Youth Forum and members of ARTéfacts contemporary music ensemble, facilitated & challenged by intermedia duo acte vide).

See especially: Stefanou, Danae ed. 2022. Multimodal Community Scorebook. Athens: Onassis Stegi / Sounds Now.

Multimodal Community Scorebook